Thereafter embodies the process of coming to terms with the fundamentally unanswerable questions: “Why did my father’s wife shoot him to death and what prevents her from recalling the event?” With the authorities’ inability to stitch together a clear explanation of the driving forces that led to the shooting, no one will ever really know what happened or why.
While a 75-month manslaughter conviction may address society’s need for justice to be served, it’s unlikely to put the questions to rest for those immediately affected.
This book is the result of wandering alone, clearheaded without thinking, making space for feelings to become tangible. Photographing this urban, yet secluded Oregon parkland provides cover for wrestling with issues not ready to be overcome. Its emotional terrain is respectfully conveyed in the quiet, subtlety toned prints brought to life on Moab Entrada archival paper by printer Lauren Henkin, letterpress printed and bound in Musashi cloth and St. Armand Old Master handmade paper endsheets by Sandy Tilcock of lone goose press, with a short accompanying text by the artist.
Dale Schreiner
Dale Schreiner’s landscape and street photographs reflect his belief that successful work explores meaningful ideas through imagery that is engaging and, though potentially challenging, accessible. He approaches the fundamentals of his subject matter from both analytical and metaphorical perspectives derived from his education in philosophy at Lewis and Clark College and photography at Pacific Northwest College of Art.
Photography provides a complement and contrast to his professional life as a research consultant to global technology clients. It is his preferred means for considering social, environmental or other charged topics in ways other than solely through rational inquiry.
Dale Schreiner
Thereafter
Thereafter embodies the process of coming to terms with the fundamentally unanswerable questions: “Why did my father’s wife shoot him to death and what prevents her from recalling the event?” With the authorities’ inability to stitch together a clear explanation of the driving forces that led to the shooting, no one will ever really know what happened or why. This book is the result of wandering alone, clearheaded without thinking, making space for feelings to become tangible. Photographing urban, yet wild and protected parkland provides cover for wrestling with issues not ready to be overcome. Explore >
Displaced
Displaced is a deeply personal book of photographs about finding external beauty in the midst of intense internal crisis. Landscape photographer Lauren Henkin has created an introspective book which describes a hunger for inspiration during the breakup of her marriage. Printed on archival paper and hand-bound by renowned bookbinder John DeMerritt, Displaced presents two photographic portfolios in black-and-white, derived from solitary departures in the U.S. and Nova Scotia. Explore >
Silence is an Orchard
Silence is an Orchard is a beautiful handmade book of photographs taken in 2008 and 2009 in a single field within Acadia National Park in Maine. Printed on Japanese kozo paper, the book presents the work of five Northwest women artists. Explore >
- 22 images
- moab entrada rag
- 9.5" x 8.25"
- case bound
- limited to 20
- $275
